Do You Speak Emoji?

Next time you are on Twitter, check out emoji search by Google. If you tweet an emoji to Google’s Twitter account, Google will respond with suggestions of where to eat or what to do based on the content of your emoji. For instance, I tweeted to Google a donut emoji, and Google tweeted me back a link to search results for “donut” nearby (along with a GIF for good measure).

The functionality is limited (Google says it is working on 200 search-enabled emoji) but demonstrates just one of the ways that emoji have become the lingua franca of our lives. Three elements of cultural adoption — consumers, media platforms, and brands — have converged to make emoji mainstream, and there is no turning back.

Consumers Speak Emoji

The first element of cultural adoption consists of everyday people adopting an idea, often in regional pockets. Emoji have taken hold as an acceptable way for our mobile society to express themselves — which is neither good nor bad, just a sign of the evolving ways in which people communicate. According to the 2016 Emoji Report, published by Emogi, in 2016 people sent to each other 2.3 trillion mobile messages that incorporate emoji. Heavy mobile texters — people who say they send messages several times a day — use emoji in 56 percent of their messages. (Those heavy mobile messaging app users are typically female and younger.)

People use emoji to be understood, to add sentiment, or simply to express themselves as quickly as possible. Emoji are especially appealing to a culture that relies on mobile texting. Short-form text does not always lend itself to expressing sentiment. Emoji eliminate that problem. Accordingly, emoji use has exploded as mobile messaging apps have become more popular. The amount of time adults in the U.S. spend on mobile messaging apps will increase from five minutes a day in 2016 to nine minutes per day in 2017 and 14 minutes per day in 2018, according to eMarketer. 📱

And we’re hungry for more: 75 percent of mobile messaging users want more emoji options, and half of U.S. consumers would be open to using in their messages branded emoji such as a 😀 next to a Pepsi can or a dancing Coors Light can, according to the 2016 Emoji Report.

Media

Media platforms such as Apple, Facebook, Google, Snapchat, and Twitter are usually necessary to amplify an idea beyond initial adoption by everyday people. All the major media platforms have taken major steps.

Throughout 2016, Apple aggressively emoji-fied the way users of its Operating System communicate. At its Worldwide Developers Conference, Apple rolled out an expanded emoji library to make Apple Messenger a far more lively communication channel. It was as if Apple switched from color to black and white by dialing up its use of emoji. Any Apple Operating System user noticed the change the moment they updated to OS X, as Apple made it easier to select emoji along with GIFs and images to turn texts into bursts of multi-media goodness.

Apple also added some important cultural nuance to its emoji. In August 2016, Apple rolled out emoji that recognize and celebrate diversity, including single-parent families, rainbow flags, and more images of people of color. As Apple noted on its website, “This exciting update brings more gender options to existing characters, including new female athletes and professionals, adds beautiful redesigns of popular emoji, a new rainbow flag and more family options.

Apple is working closely with the Unicode Consortium to ensure that popular emoji characters reflect the diversity of people everywhere.”

Facebook gradually incorporated emoji into the way its community communicates. In early 2016, Facebook added emoji to the Facebook Like button, thus adding more sentiment to a simple click. Facebook Messenger introduced 1,200 new emoji, and Facebook pushed emoji to commemorate special events such as Star Trek’s 50th Anniversary. But organic is not Facebook’s style. Look for Facebook to incorporate emoji more as a paid media strategy with brands.

Google made emoji a more prominent part of its ecosystem. For instance, Gboard, launched in 2016, introduces all sorts of functions into your mobile device’s keyboard, including easier access to emoji (Google also unveiled a handy emoji search tool to Gboard in December). But Google wasn’t done. Google also unleashed Allo, a smarter, more visual messaging app that includes, among other functions, a shortcut for discovering emoji. And, as noted, Google is encouraging the adoption of emoji in our everyday lives through functions such as emoji search — which is where I think emoji will really take hold as mobile use continues to rise.

Not surprisingly, Snapchat has been an emoji innovator, introducing functionality such as making it possible for users to add emoji next to their friends’ names, based on variables such as their Zodiac signs. Snapchat also allows its members to pin emoji to Snaps, which makes the emoji animated, and Snapchat uses emoji as visual cues to tell you how often you and your friends communicate with each other. For instance, a gold heart next to your friend’s name signifies that you and your friend send the most snaps to each other — you are the bestest of best friends. At the other end of the scale, a baby emoji means you and have just become friends. The emoji are an interesting way for Snapchat to exert some pressure on you and your friends to share more (on Snapchat, naturally).

For Snapchat, emoji are a natural extension of the visual ways that Snapchatters tell stories. Especially now that Snapchat enters the realm of being publicly traded, look for the platform to find more ways to incorporate emoji commercially, such as incorporating emoji more aggressively into its advertising.

Twitter has been a proving ground for emoji, an example being Coca-Cola and Twitter launching the first branded emoji in 2015. The platform has been especially effective for using emoji to celebrate global events such as the 2016 Olympics. In the run-up to Super Bowl 51, Twitter exploded with emoji including a customized Lady Gaga emoji. To commemorate Black History Month, Twitter has launched a series of emoji and a chatbot that will suggest to you ways to commemorate Black History on Twitter through a variety of hashtags. All you need to do is send a direct message to @Blackbirds (Twitter’s black employee resource group) to join in. The Black History emoji are a perfect example of how Twitter continues to lead as an event-based app.

These platforms are all incorporating emoji to increase levels of user engagement on their platforms, which makes the platforms more attractive to advertisers.  My bet is that Snapchat will be the first to monetize emoji in a powerful way.

Brands

Brands add the all-important element of commerce to cultural adoption. And brands are using emoji to do to everything from inject sentiment to ordering products. In 2015, Domino’s set the standard against which all emoji branding seems to be measured now when Domino’s made it possible for its customers to order pizzas with emoji on Twitter and then through texting. As Khushbu Shah of Eater wrote at the time, “Gone are the days where pressing a couple of buttons on a smartwatch or voicing an order to a virtual assistant on Domino’s mobile app seemed convenient. Those methods are entirely too cumbersome and tedious when ordering is now as simple as tweeting an emoji.”

The notion of simply texting or tweeting a pizza emoji promised to remove layers of friction from ordering, which generated great PR for Domino’s. In reality, ordering a pizza with an emoji turned out to be more complicated than the marketing made it sound. Domino’s claims that half its U.S. sales come from digital, and so the emoji ordering feature makes sense for the company to try, even if the actual experience is not as slick as advertised.

In fact, Domino’s is not the only brand using emoji. A number of other businesses have creatively employed emoji, such as:

  • As noted, in 2015, Coca-Cola became the first brand to get its own custom emoji, which appeared when people tweeted #ShareaCoke. The emoji created social engagement for Coke — within 24 hours, #ShareaCoke scored 170,500 mentions globally through the joint effort between Coke and Twitter.
  • General Electric created an #EmojiScience campaign consisting of a website, emojiscience.com, which contains emoji as a periodic table of the elements. Clicking on each emoji leads you to more layers of scientific information, including explanations about aspects of science from Bill Nye in the #EmojiScienceLab. For instance, clicking on a rocket ship emoji revealed information about the New Horizons space mission to Pluto. The experience brilliantly supports GE’s brand, which is rooted in the power of science.

  • In 2016, Pepsi rolled out an emoji campaign notable for its multichannel integration. The PepsiMoji summer campaign featured more than 600 proprietary emoji designs on packaging (including more than a billion bottles and cans), Instagram, and video on social media. The PepsiMoji returned during the holiday season with the launch of a set of holiday-inspired emoji, all with the express intent of getting people to #SayItwithPepsi.

  • Luxury brands have been employing emoji to create some heat around Valentine’s Day. For example, Michael Kors launched an emoji keyboard that works with Android and Apple devices to share special Valentine’s Day emoji such as kissing lips and conversation hearts. Moët created a branded emoji keyboard, too, which includes lips, hearts, and mini-animated Moët & Chandon bottles with popping corks. In essence, these businesses are creating utilities that facilitates Valentine’s Day-themed messages while engaging with the brands.

For many other brands, using emoji can mean simply incorporating emoji into their content, whether posting information on Facebook or tweeting. Emoji constitute an effective way to express brand sentiment and promote a campaign just as visual storytelling does. And tools are emerging to help brands become more sophisticated. For instance, startup Inmoji runs emoji-based marketing campaigns for big brands such as Disney and Starbucks. Inmoji offers a self-service platform in which brands can create clickable stickers that reveal more content. Brands are reporting engagement rates exceeding 100 percent because people click on the emoji multiple times.

Emogi, the publisher of The 2016 Emoji Report, has introduced a way for businesses to embed branded emoji into text messages, which is crucial because, as noted, texting is a popular form of emoji sharing. Here is how the process works, as noted by Jia Tolentino of The New Yorker:

  • A beer brand—let’s say Bud Light—makes an ad buy on the triggers “party,” “drinks,” or “🍺.” The brand then targets the users in the demographic they’re going after: women aged eighteen to thirty-five in New York or Chicago, say, whose Internet profiles indicate that they’ve recently searched for local bars. When these women text their friends “🍺?,” a selection of Bud Light emoji will pop up in their keyboards: a girl riding a beer can like a rocket, perhaps, or a frog sipping a Bud Light, or a💃clutching a beer in both hands. Ideally, these little images will be too charming to resist.

In addition, Emogi and Moat recently launched a tool to measure consumer engagement with emoji, and with measurability comes more legitimacy. Whether the emoji are annoying or cool depends on how creative and authentic the emoji look. I’d argue that an emoji of a Starbucks cup is more authentic than a bland coffee cup, just like people in a movie seem more believable and real when they’re sipping a Coke instead of a generic Acme brand.

What Brands Should Do

The combination of consumer usage, media amplification, and brand participation will ensure that emoji continue to grow in usage. Already 92 percent of online consumers use them, and clever tools such as Bitmoji continue to make emoji mainstream. All brands owe it to themselves to examine how to use emoji in their content, whether through advertising or branded content. If you are a brand, you should ask:

  • How does your audience use emoji? How do they incorporate them into their tweets to you and in their Facebook posts, for instance?
  • How might you test the use of emoji? Do A/B tests in your social content and emails to see whether emoji result in higher rates of engagement.
  • How are other companies using emoji and why? Study their successes and failures, and learn from them.
  • Where does it make sense for you to use emoji? For Domino’s the ordering functionality makes sense (even if flawed) because of the Domino’s strategy of driving sales from digital. As noted, brands have many other options, such as simply adding emoji to social posts, embedding emoji into ads, and using them in content such as blog posts. You don’t have to issue a press release in emoji as Chevrolet did. But at the least, look for ways to incorporate emoji to impart tone within short-form content.

And here’s one thing you don’t want to do: ignore emoji. Assuming emoji don’t apply to you is like ignoring the rise of visual storytelling or being ignorant of how language is changing in everyday use. Emoji are here to stay. ✍

 

Why Kanye West Should Be Twitter’s CEO

Kanye2

Twitter should ask Kanye West to be its CEO — or at least a member of its board.

In 72 hours, Kanye has done more to make Twitter relevant and compelling than anything its beleaguered executive team has done during the past year.

First came the #SWISH moment on January 24, when he tweeted a hand-scrawled image of the track list for his forthcoming album, Swish, with the words “So happy to be finished with the best album of all time.”

Screen Shot 2016-01-25 at 10.31.48 AM

The low-tech picture ignited a fire. His tweet about the long-awaited album was re-tweeted 160,000 times and liked 210,000 times. But more importantly, he and Twitter both gained positive coverage in media such as Forbes and The Wall Street Journalan incredible feat given that Twitter had announced mass executive departures the same day. For once, Twitter was not on the receiving end of doomsday coverage. Twitter rode Kanye’s coat tails and became relevant: one of the world’s biggest and controversial entertainers had chosen the platform to announce significant news.

And then things got weird for Kanye — and better for Twitter.

Continue reading

Honoring #BestBlackAlbumCovers

What are the best all-time album covers by black artists? Google #BestBlackAlbumCovers and find out.

On December 23, 2015, @SonofBaldwin started tweeting his favorite album covers from black artists, using the hashtag #BestBlackAlbumCovers. What followed was Twitter on its best day. #BestBlackAlbumCovers started trending as the Twitterverse began contributing a wide-range of opinions, with ideas coming from journalists such as Charles Blow and Shaun King and many everyday people like you and me.

I got immersed posting some of my #BestBlackAlbumCovers that capture powerful images, such as the sensual, bare-chested Al Green gracing the cover of Greatest Hits and Isaac Hayes’s striking bald head on Hot Buttered Soul. I participated in some fun “Wow, you like this album, too?” moments with people I’d never met — an unexpected joy and a purely organic phenomenon.

71-NVM7BUmL._SL1056_

My new SlideShare highlights some of the covers that turned my Twitter stream into an inspired collection of some of the best album covers ever made by any artist of any color. What makes #BestBlackAlbumCovers especially significant is how they reflect the many dimensions of black culture. The scarred shoulders on the cover of Nas’s self-titled album express both the pain of being black and the strength required to overcome that pain. Nina Simone’s expressive eyes on Forever Young, Gifted & Black make a powerful statement about black pride.

71HXIGB4nhL._SL1050_

The florid fashions depicted in the Isley Brothers’s Showdown and Teddy Pendergrass’s Duets — Love & Soul capture a style sensibility that only a handful of black soul and funk musicians could pull off. Marvin Gaye’s What’s Going On will forever express a certain kind of indescribable urban cool.

Many of the album covers make strong statements about what it means to be black in America, including the aforementioned Nas, Sly & the Family Stone’s There’s a Riot Goin’ On and Kendrick Lamar’s To Pimp a Butterfly. These covers are not always the easy to look at, but that’s the point of something like It Takes a Nation of Millions to Hold Us Back. These covers are not meant to make you feel comfortable (especially if you are white). They serve as reminders of the racism, injustice, and inequality that characterize the contemporary black experience.

1b73203c

Most of all, all the album cover art featured in #BestBlackAlbumCovers invites you to listen to the music inside the albums, experience the musicians’ art, and maybe even learn something about yourself and the world around you.

 

 

How Hip-Hop Legend Jermaine Dupri Writes His Own Rules

JDSELFIE

In the world of hip-hop mogul Jermaine Dupri, building excitement for new music means creating his own rules for using social media to engage with fans.

Dupri, Mariah Carey’s manager and co-producer, has been a lightning rod for criticism from frustrated Carey fans who have wanted more information about her career moves (especially the status of her new album) than they have received. But instead of appeasing fans with social, Dupri acts like a boxer, sometimes quietly absorbing the blows, and other times trading stiff jabs and upper cuts as he did recently when engaging with impatient fans on Twitter. The way he sees it, frustrated fans are good business because they build anticipation for music.

Mariah

“If you’re going to be a music executive in the digital era, you need to try different approaches for running a business with social media,” he reveals in an interview with me. “Conventional wisdom says you give fans everything they want when they want it, like all the artwork and information about a new album long before release day. Fans today are buying the promotion that leads up to the music, not necessarily the music. But giving away too much to fans can actually ruin the game plan for someone like Mariah Carey, who is very protective of her music, her brand, and her mystique.”

Applying social finesse is one of the rules that Dupri lives by as he reinvents the role of the music executive in the digital era. Music industry honchos who first made their marks in the analog era, as Dupri did, have famously struggled to embrace digital (hello, Napster). Not so with Dupri. In the 1990s, he exploded on to the music world by breaking successful acts such as Kris Kross and Da Brat before becoming CEO of So So Def Recordings.

The 1990s were a long time ago, though. Then, artists could make millions by dropping CDs like manna from heaven into the hands of hungry fans. Digital downloading was not a threat. No one had ever heard of social media. But unlike many of his peers, Dupri has made the leap into the digital era by making digital — especially social media — the epicenter of a career in which he plays many roles, including CEO, czar of his own social media community Global 14, a popular DJ, and manager of a certain diva who has sold 200 million records.

Here are Jermaine Dupri’s rules for reinventing himself as a digital executive:

1. Build a Home Base

Dupri creates a flurry of activity on social every day, on sites ranging from Facebook to YouTube. One moment he’s tweeting information about a club appearance with Fabolous. The next he’s posting an Instagram of himself with Pharrell backstage at Coachella or a YouTube video about a moment with Mariah Carey and her fans.

“I create my own social whirlwind,” he says.

Continue reading

How Internet Pranksters Such as Elan Gale and Randy Liedtke Take Advantage of Our “Me, Too, Me, First” Culture

ElanGale

Truth is the first casualty in the digital war for attention.

Throughout 2013, a rash of hoaxes perpetuated online have reminded us of the fragile nature of credibility in the digital world. So many attention-grubbing pranksters have hijacked digital media that CNN has declared 2013 as the year of the hoax. But 2013 is just the tip of the iceberg. Hoaxes perpetrated by entertainers, everyday people, and brands threaten to disrupt the Internet on a constant basis. Just within recent days, a rash of self-promotional hoaxes have bamboozled the news media, tarnished a national brand, and shamelessly capitalized on the death of a global hero to sling mud at a celebrity. In all cases, hoaxers are taking advantage of the “me, too, me, first” culture that pervades the digital world. It’s time to slow down and exercise some good old-fashioned critical thinking.

Continue reading

How One Tweet from Jimmy Page Turned “Ramblize” into a Media Sensation

JimmyBIG

How did an obscure song that was languishing on YouTube for two years suddenly capture the interest of music journalists? Two words: Jimmy Page.

Here’s the scoop: on November 15, the guitar god shared via Twitter a cryptic message about legendary rapper Biggie Smalls, aka Notorious B.I.G., with a link to Page’s website, jimmypage.com. Visitors to Page’s website encountered a new song streaming: “Ramblize,” which is a mash-up of Notorious B.I.G.’s “Hypnotize” and Led Zeppelin’s “Ramble On.” The song, which combines bits of Page’s acoustic guitar, Notorious B.I.G.’s rap, and some snatches of Robert Plant’s vocals, created an instant sensation, with publications such as Rolling Stone, Ultimate Classic Rock, and XXL writing fairly gushy articles about its emergence on Jimmypage.com. Rolling Stone asked, “Who knew Jimmy Page was a hip-hop head?

But who actually made the mash-up and when is unclear. A version dated May 2011 appears on YouTube and was uploaded by YouTube user @theLionsRampant. In the comments field, one user Continue reading

Thom Yorke: Crusader or Crybaby?

130116-thom-yorke_0

I can’t decide whether Thom Yorke is a petulant child, cynical operator, or a hero to artists. Maybe he’s all three.

On July 14, Yorke declared war on Spotify, removing from the popular streaming service his solo music and that of his experimental band Atoms for Peace.  On Twitter he and producer Nigel Godrich complained that Spotify rips off artists through poor royalty rates. “Make no mistake new artists you discover on #Spotify will no[t] get paid,” Yorke tweeted. He also claimed to be “standing up for our fellow musicians.”

And then a few days later, Yorke put his weight behind music platform soundhalo, which will sell video content (in near real-time) from Atoms for Peace concerts occurring July 25 and 26 at London’s Roundhouse.

Yorke’s actions have renewed an ongoing debate about what constitutes fair compensation for artists from streaming services like Spotify — and have also caused some backlash from pundits. When Yorke came out swinging against Spotify initially, music veteran Bob Lefsetz accused him of whining, clinging to the past, and fighting a streaming service that has given listeners a credible alternative to illegal downloading. As Lefestz wrote, “Once upon a time musicians used to lead. Now all they can say is GIVE ME BACK MY PAST! As for saving the future for the new artists . . . I’d feel better if the new artists created their own paradigm, but instead we’ve got wannabes too dumb to do anything for themselves.”

Continue reading

5 Marketing Lessons from the 121212 Concert for Sandy Relief

SpringsteenBonJovi

Rock concerts for causes have come a long way since George Harrison and Ravi Shankar organized the Concert for Bangladesh in 1971 and raised $250,000 to help refugees in war-torn Bangladesh. The Concert for Bangladesh was an untelevised rock show (actually two of them) witnessed by 40,000 people in Madison Square Garden. By contrast, last week’s 121212 Concert for Sandy Relief was a multimedia experience accessible to 2 billion people globally, earning $35 million in one night (with millions more to come). Here are five marketing lessons from the 121212 Concert:

1. Extend Your Reach

The 121212 Concert, which supported Robin Hood Relief (a highly regarded organization assisting Hurricane Sandy victims), made it virtually impossible for you to miss the show.  The concert was broadcast on 39 television stations, streamed to 25 websites, and aired on 50 radio stations, creating “the most widely distributed live musical event in history,” according to Nielsen. By contrast, even the highly successful 2001 Concert for New York City (which also benefited Robin Hood Relief) was broadcast on VH1 exclusively. If you wanted to watch the concert, they gave you no reason to miss it.

RogerWaters

Continue reading

Major League Baseball shows trust on Twitter

Major League Baseball trusts its Twitter fans. When Kansas City Royals Hall of Famer George Brett joined Twitter, the @MLB Twitter account posted this tweet:

 

If you’re not a Major League Baseball fan and don’t follow its rich history, the reference to “pine tar above the knuckles” is meaningless and perhaps confusing. But Major League Baseball trusts its fans to get the inside joke without needing to explain it. The 2 million baseball fans who follow MLB understand inherently that MLB is referring to the controversial 1983 “Pine Tar Game,” when Brett slugged a crucial home run against the New York Yankees – only to have the home run nullified by an umpire who ruled that Brett’s bat was coated with an excessive amount of pine tar. Brett’s angry reaction — charging from the dugout like a crazed bull — was captured for history (and would become a viral smash had the incident occurred now):

The Major League Baseball Twitter account informs, entertains, and celebrates baseball with a sense of humor, even with its About section (“We don’t understand the infield fly rule, either”). But most importantly, Major League Baseball trusts its fans by sharing content without overexplaining it. Do you?

Photobomb your brand

Have you photobombed your brand lately? At the recently conducted Social Media Strategies Summit in Chicago, social media superstars Ramon De Leon, the marketing mind of a six-store Domino’s Pizza franchise in Chicago, and Jessica Gioglio of Dunkin’ Donuts both showed how and why you should photobomb – or share your brand visually in unexpected places. Their approaches are tailor made for marketing in the age of Pinterest. For instance, recently Gioglio and the Dunkin’ Donuts Chicago social media team spent a day snapping images of the iconic Dunkin’ Donuts coffee cup juxtaposed against famous Chicago landmarks like the Art Institute of Chicago and the John Hancock Tower. Dunkin’ Donuts then shared the images via the Dunkin’ Donuts Chicago Twitter account and Pinterest board – a brilliant way to build brand love locally.

Hancock

On the other hand, De Leon showed how photobombing can build excitement among employees and involve your fans. Especially because De Leon is known as an enthusiastic Domino’s Pizza brand ambassador, Domino’s Pizza employees are fond of sharing their photobombs with him, such as the delivery driver who sent to De Leon this photobomb at the statue of Michael Jordan outside of the United Center in Chicago:

De Leon creates his own photobombs on the job by involving Domino’s Pizza fans. For instance, as he explained to me, “I love to walk around campus with a Dominos Pizza flag. People either want to wave it for me or take pictures with it,” as shown in this image:

He also creates photo-ops with the Domino’s logo, such as the time he fashioned an “I Heart Domino’s Pizza” ad by creatively positioning Domino’s Pizza boxes while he was making a delivery at a college campus:

And Domino’s Pizza fans inspire De Leon with their own photobombs, such as this image submitted by two fans in New York:

“These user generated photos are incredible,” he told me. “This is when people see your logo and remember you. They take a photo and either tag (If Facebook) or cc you on Twitter usually with a saying, ‘Ramon, look at me.'”

De Leon shares all these photobombs through a massively popular channel: himself. He speaks at events ranging from the Disney Social Moms Celebration to Click 6.0 in Dubai. He sprinkles his talks with Domino’s Pizza photobombs and the stories behind him, which makes for lively presentations, shout-outs to fans and employees, and compelling advertising for Domino’s Pizza.

At a time when Facebook paid $1 billion for Instagram and Pinterest has become the third-most popular U.S. social media destination almost overnight, the message is clear to brands: figure out how to share your content visually or don’t share at all. Photobombing your brand is one way to do so. For more examples of how Dunkin’ Donuts shares visual content through a savvy social media outreach, check out my post on the iCrossing Great Finds blog, “How Dunkin’ Donuts Builds a Connected Brand with Social Media.”

Happy photobombing.