Porter Gale’s “Your Network Is Your Net Worth”: A Manifesto for Succeeding by Sharing

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Sharing is the new like.

That’s the ethos of Porter Gale’s Your Networking Is Your Net Worth, a new book that guides you through the world of networking in the digital age, where relationships can be launched in seconds on Twitter and then cultivated in a high-tech co-working space like Grind, one of the many innovative locations that provide a space for people to work and expand their network. Available June 4, Your Network Is Your Net Worth has been described as an update to Dale Carnegie’s How to Win Friends and Influence People. But Porter Gale has more in common with Stephen Covey than Dale Carnegie. Like Covey’s Seven Habits of Highly Effective People and Guy Kawasaki’s Enchantment, Your Network Is Your Net Worth argues the case for achieving success by living your life selflessly.

Your Network Is Your Net Worth is not about being a better marketer or building a successful career. Your Network Is Your Net Worth is a manifesto for 21st Century living. Follow the principles of building authentic, personal Continue reading

TMZ: The Time Inc. of Fame Inc.

TMZ has transformed itself from everyone’s favorite guilty pleasure to a powerhouse news reporting and entertainment brand. The multi-million dollar organization managed by Harvey Levin long ago shrugged off its image as a snarky Hollywood gossip site and by beating mainstream news organizations such as CNN at their own game. When Mel Gibson was arrested on suspicion of drunk driving and hurled shocking religious epithets at his arresting officers, TMZ broke the news first. When Michael Jackson died abruptly in 2009, TMZ scooped the world. As Harvey Levin explained at a recent appearance at the SXSW Interactive Festival, TMZ has succeeded by covering celebrity news with the rigor and professionalism of a serious newsroom — while still retaining much of the snarky voice that endears TMZ to some and infuriates others. And yet, something else beyond Harvey Levin’s control has helped legitimize TMZ: celebrity news itself. “Celebrity” is like a vertical market akin to retail: an industry with many inter-related stake holders such as from celebrities themselves to the media who cover them, the merchants to sell them, the products who rely on them for endorsement, and the media that spin content out of their lives. As I discuss in a new post for the iCrossing Content Lab, celebrity news sites have become diversified and specialized, ranging from Egotastic, which focuses on “the sexy side of celebrity gossip,” to Bossip, which covers black celebrity news. TMZ now rules as the Time Inc. of Fame Inc. Check out my post for more insight.

How Houlihan’s Gives Emerging Artists a Voice

Brands are the new DJs. Amid the demise of the music industry, companies ranging from American Express to Coca-Cola now provide exposure for musicians just like music impresarios Murray the K and Alan Freed once did. For indie artists, Houlihan’s Restaurants has a longstanding tradition of providing exposure through the music playlists in its 83 U.S. establishments.

Recently, Houlihan’s put its marketing muscle behind lesser-known artists by launching H-Listed. Each month, Houlihan’s showcases an H-Listed artist by featuring the artist’s music in each Houlihan’s restaurant and providing 1 million impressions via the Houlihan’s website, email outreach, and social media presence. Houlihan’s has already created buzz for its first three H-Listed artists, Big Harp, Feathers, and the Parlotones, starting with a kick-off event at the South by Southwest Music Conference and Festival and continuing with online/offline promotions that include free song downloads.

To learn more about H-Listed, I interviewed Jen Gulvik, vice president of marketing and creative director for Houlihan’s. During our conversation, she explained how music flourishes in the Houlihan’s culture through efforts like H-Listed and the company’s involvement in VH1 Save the Music. As Gulvik’s experience shows, music is more than a means to build a brand for Houlihan’s — it’s a way of life.

Let’s talk about your role at Houlihan’s and how you helped H-Listed get launched.

I am responsible for all of marketing in the traditional sense, but also the customer experience. Ultimately, I am responsible for anything that happens in the restaurant, ranging from the uniforms we wear to the music we play. And obviously music is part of the customer experience. Houlihan’s has chosen to make the music you hear in our restaurants a point of differentiation, similar to the way some hotels make music part of the experience they offer.

H-Listed is our program to offer guests musical discovery while Houlihan’s helps emerging artists. Our intent is to make people in our restaurants feel like they are enjoying a sense of discovery in a stylish surrounding. We deliberately choose unfamiliar musicians such as Big Harp, who we are featuring for the month of May, and the Parlotones, who were H-Listed in April.

Their music is promoted and used in our restaurant playlists, which include many other lesser-known artists through a selection put together each month by PlayNetwork, our outside partner that handles all of our music licensing, artist and label relations, and production in conjunction with H-Listed.

Parlotones

Starbucks has been curating music for years in its stores, and I have always wanted to do something like that. Music often falls under Operations in the dining industry, but fortunately music is the responsibility of Marketing at Houlihan’s. When I ran the idea for H-Listed past PlayNetwork, they had all the resources and relationships to make it happen.

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Billy Corgan, Brian Solis, and the personal touch at SXSW

My experience at SXSW Interactive this week was marked by catching up with friends, a massive amount of networking, very little sleep, and some inspirational content, most notably the Billy Corgan/Brian Solis session about Corgan’s uneasy relationship with a music-buying public that (in Corgan’s view) uses social media to attack artists rather than support them. I provided real-time coverage of the session from my Twitter account, @davidjdeal; you can see how the discussion unfolded by following hashtag #EndofUsual on Twitter. Amid Corgan’s f-bombs and rants, a compelling theme emerged: artists need their audiences, but in order to prosper and grow, they cannot allow themselves to be led around the nose by the same people who call themselves their fans. As Corgan said to a recalcitrant SXSW audience member, “I can’t survive by accommodating your Twitter feed with my music.” The Corgan/Solis session brings to mind a post I wrote in 2010, “Would ‘Exile on Main St.’ have survived Twitter?” in which I questioned whether the seminal but initially misunderstood Rolling Stones album would have held up amid the withering glare of Twitter had social media been around in 1972.

I was also struck by the convergence of branding, entertainment, and technology that increasingly defines not only SXSW but also the future of marketing. The most obvious example of this convergence from SXSW Interactive was the March 11 Jay-Z concert held to promote the launch of a new American Express service offered through Twitter. I discuss this phenomenon more fully in an iCrossing Great Finds blog post, “SXSW and the Rise of the Co-Branding Economy.”

The personal connections were, as usual, incredibly fulfilling, whether comparing notes about music and writing with my iCrossing colleague Todd Pruzan, laughing at life’s absurdities with Kristen Deye (a rock star who managed iCrossing’s presence at the event), reuniting with some of my former Razorfish colleagues and friends like Margaret Francis and Heather Gately, meeting Brian Solis and Scott Monty, hanging out with Jeremiah Owyang, seeing David Armano, meeting with Allen Weiner, or finding some time to relax over drinks with Cortney Harding and her husband Jeff Stokvis.

People always trump interactive technology in my book.

Is rock dead?

What does the future look like for rock and roll? It’s a question that will surely be on the minds of participants at the 2012 South by Southwest Music festival, which kicks off this week. I believe the future of rock and roll is very bright — if you’re willing to think of rock as the sugar in someone else’s tea.

Rock was, at best, a supporting player at the 54th Annual Grammy Awards, with major rock awards such as Best Rock Song and Best Rock Album being relegated to the Grammy pre-telecast. And if Billboard magazine is any indication, rock is actually being assimilated into a more diverse palette of genres ranging from pop to rap. Rock was barely an afterthought in Billboard‘s Year in Music for 2011 issue. Pop acts like Adele and Justin Bieber ruled the year based on sales figures, with club music asserting itself as a force to be reckoned with. Likewise, Billboard’s 2010 Year in Music issue noted that in 2010, only one rock band reached the Billboard Hot 100 top 10 (Train, with “Hey, Soul Sister”).

In fact, no rock act has cracked the Top 10 in the annual Billboard Top 200 in either 2010 or 2011. The list of Top 15 Billboard artists in 2011 says it all: Continue reading

Don’t text in this movie theater

There is a God.

Most movie theaters use the polite-but-ineffective appeal to human decency to prevent you from texting during movies. The Alamo Drafthouse Cinema in Austin, Texas, will eject you for texting during a movie.

And don’t complain if you get ejected: you might find yourself appearing in the theater’s pre-roll no-texting video shown to everyone in the theater. (Note the video as depicted in this blog post is NSFW).

Although I agree with what the Alamo Drafthouse Cinema is doing, I also believe the theater’s policy represents the last gasp of a dying breed. The “SxSW generation” has taken over the live entertainment experience. They comfortably Tweet, text, upload their Facebook accounts, and otherwise multi-task while they are listening and watching you.

So I tip my cap to the Alamo Drafthouse Cinema. But you are fighting a losing battle in the long run.

Who are the top 50 social brands?

Recently Infegy published its March 2009 list of of the hottest social brands on the market — the names that have the strongest reach across the digital world as measured by a number of factors.  Some observations:

  • The Top 5 are not surprising: Twitter, Google, Obama, the iPhone, and Facebook.  But four years ago, did you ever think you’d see the day when a U.S. president would battle Twitter, Google, the iPhone, and Facebook for top billing?
  • I counted three games inside the Top 20 list: XBox (ranked 14), Playstation (#15), and Wii (#17). Anyone surprised that Wii ranked behind XBox and Playstation?
  • It’s not surprising that Wikipedia made the list.  What’s surprising is that Wikipedia ranks only #44.  This is a brand that was created to be inherently social.
  • Look for Kindle (#42) to steadily climb the list — I wonder if Kindle will even gives Amazon (#16) a run for its money?
  • General Motors (#26) ranks ahead of MySpace (#29).

I did a double take when I saw GM rank ahead of MySpace and wondered if this list represented only the “most discussed,” not necessarily “top,” social brands.  But then my Razorfish colleague Megan Anderson told me about a lunch meeting she’d had at SxSW with Christopher Barger, GM social media director.  His team has been on Twitter since January 2008 and runs GMBlogs.com.  Moreover, all GM brands have YouTube channels.

As Megan wrote to me in an email, “The thing that made the biggest impression on me was that their team is very dedicated to clarifying any questions or confusion regarding the situation [GM is] in right now.  When the [Federal] bailout was announced for the automotive industry, they were up all night answering tweets (@gmblogs).”   Megan also directed me to this SxSW panel discussion in which Christopher was a participant.

What do you think of the Top 50 list?