6 Reasons Why Jack White is the Lord of Vinyl

In 2017, sales of vinyl records rose for the 12th straight year. Although vinyl records still account for only 8.5 percent of total album sales, their 14.32 units sold in 2017 represent the most since Nielsen began tracking record sales electronically in 1991. But the numbers don’t tell the entire story of vinyl’s resurgence. Buying vinyl is about enjoying the packaging – unwrapping the album, studying the album cover art, holding the disc, and collecting different formats, such as multi-colored discs and alternative covers. And few people appreciate vinyl as like Jack White does.

The man who led the garage rock revival has built a life around a celebration of all things analog, including the glory of vinyl records. If you’ve seen the guitar-god documentary It Might Get Loud, you understand White’s passion for the authenticity of analog music: in one of the movie’s more revealing scenes, he constructs a guitar out of found parts including a Coke bottle and plays it. His passion for the simplicity of analog music has manifested itself in some striking and sometimes curious ways. As 2018 Record Store Day approaches, let us count six of them:

1) His new album, Boarding House Reachhad the fourth-biggest sales week for a vinyl album since Nielsen began to measure vinyl sales in 1991. His 2014 album Lazaretto holds the record for the biggest one-week sales performance of a vinyl album.

2) He has released a trove of rare and eccentric vinyl, including 100 copies of a single that was stitched into furniture he upholstered.

3) In 2016, he launched the first phonographic record to play in outer space. A recording of “A Glorious Dawn” by composer John Boswell along with audio from Carl Sagan was launched in a balloon 94,000 of feet above the earth, where a “space-proof” turntable played the recording for more than an hour. Continue reading

Led Zeppelin Invades Record Store Day

They come from the land of the ice and snow, invading Record Store Day April 21 like land-grabbing Visigoths of Yore: Led Zeppelin recently announced its first-ever Record Store Day release, a 7-inch single consisting of unheard mixes of “Rock and Roll” and “Friends.” Both mixes, produced by Jimmy Page, have elevated Record Store Day from a celebration of vinyl to a homecoming as the band emerges from the mists of Avalon to celebrate its 50th Anniversary.

“Rock and Roll” is the better known of the two songs, with its rousing opening drums and anthemic power. But “Friends” has always intrigued me more than “Rock and Roll.”

Whereas “Rock and Roll” is powerful a call to arms, “Friends” is a more subtle, evocative song that rewards repeated listening. The second song on Led Zeppelin III, “Friends” captures the mystery, adventure, and musical versatility that has always set Led Zeppelin apart from hard rock bands such as Deep Purple. The song, employing strings and bongo drums, a folk acoustic turn from Jimmy Page, and a piercing Robert Plant vocal, imparts a distinct Middle Eastern vibe that is even more pronounced in the stunning live version that Page and Plant recorded with an Egyptian orchestra in 1994.

A version recorded with the Bombay Orchestra was released as part of the deluxe edition of Coda in 2015, which features a more dissolute vocal from Plant.

When you experience “Friends” in its three most popular versions — the original, the Coda reissue, and the collaboration with the Egyptian orchestra — you can hear the foundation that Led Zeppelin was building for “Kashmir,” five years later. “Friends” stands alone as psychedelic, cross-cultural masterpiece.