How AC/DC Turned Loss into Triumph with “Back in Black”

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The rock and roll world recently exploded with rumors that AC/DC was finally calling it quits. Unfortunately, those rumors included speculation that founding member and rhythm guitarist Malcolm Young was suffering a debilitating health problem. The band responded with some good news and bad news. The bad news was that Young was taking a break from recording due to an undisclosed health problem. But the band also affirmed its intent to stick together and make music. In fact, AC/DC has endured through hard times before. Thirty-four years ago, one of rock’s loudest, badass bands taught creative minds everywhere how to turn loss into hard-fought gain with the release of Back in Black, one of the greatest rock albums ever.

Malcolm_Young_at_ACDC_Monster_of_Rock_Tour

In 1980, AC/DC was on the ropes. On the verge of achieving global superstardom, the band suffered a devastating loss when lead singer Bon Scott died after a night of heavy drinking. Losing a lead singer would be a crisis for any band, and especially given the circumstances, AC/DC considered breaking up. Not only was Scott’s loss tragic, but his throat-shredding vocals had helped define the band’s raw, head-banging sound and appeal.  But the band, consisting of brothers Malcolm and Angus Young (who was quickly establishing a reputation as a scorching lead guitarist), drummer Phil Rudd, and bassist Cliff Williams, decided to carry on. And then AC/DC made two decisions that would change its fortunes: finding front man Brian Johnson and deciding to release a tribute album to Scott.

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Is rock dead?

What does the future look like for rock and roll? It’s a question that will surely be on the minds of participants at the 2012 South by Southwest Music festival, which kicks off this week. I believe the future of rock and roll is very bright — if you’re willing to think of rock as the sugar in someone else’s tea.

Rock was, at best, a supporting player at the 54th Annual Grammy Awards, with major rock awards such as Best Rock Song and Best Rock Album being relegated to the Grammy pre-telecast. And if Billboard magazine is any indication, rock is actually being assimilated into a more diverse palette of genres ranging from pop to rap. Rock was barely an afterthought in Billboard‘s Year in Music for 2011 issue. Pop acts like Adele and Justin Bieber ruled the year based on sales figures, with club music asserting itself as a force to be reckoned with. Likewise, Billboard’s 2010 Year in Music issue noted that in 2010, only one rock band reached the Billboard Hot 100 top 10 (Train, with “Hey, Soul Sister”).

In fact, no rock act has cracked the Top 10 in the annual Billboard Top 200 in either 2010 or 2011. The list of Top 15 Billboard artists in 2011 says it all: Continue reading

Top 20 albums of all time?

Just what the world needs: another top 20 albums of all time list, courtesy of the Y! Radish Music Blog. This list is a bit different from the usual critical assessments because it seeks to be more objective and empirical, weighing factors such as album sales, “critical rating value” (an amalgam of critical reviews), and number of Grammy Awards won. (The approach reminds me of those convoluted formulas that The Wall Street Journal uses to assess baseball and football players.) After all the dust settles, the Top 5 albums are:

5. Abbey Road, the Beatles.

4. Physical Graffiti, Led Zeppelin

3. Thriller, Michael Jackson

2. Dark Side of the Moon, Pink Floyd

1. Songs in the Key of Life, Stevie Wonder

You can see the complete list here. I love these kinds of lists. They confound, inspire debate, and, hopefully, force us to think more critically — none of which I’m going to do here. But I do have some random thoughts:

  • I admire Stevie Wonder; but I cannot remember the last time I played Songs in the Key of Life. How many of your friends own it?
  • There are four Led Zeppelin albums on this list. Now, I love Led Zeppelin. But I also know full well that in its day, the band was consistently bashed by critics. It wasn’t until well after the band broke up that it achieved critical respectability. I wonder how well this list takes into account critical response at the time the albums were actually released?
  • An album’s staying power is a worthy measure as noted by the formula employed by the Y! Radish Music Blog. But by definition, newer bands are penalized simply because their work hasn’t been around as long. I don’t know how else you can explain Radiohead being completely shut out of this list.
  • It’s a hoot to see Van Halen crash the party like a drunk uncle at a wedding reception, making Number 14 on the list with its eponymous first album. But how on earth did George Michael sneak in?
  • No Rolling Stones? No Doors? No Dylan? I’ll tell you why: the list fails to take into account an album’s influence on other albums, which is why The Doors or nothing by Dylan made the cut.
  • Fortunately the list assigns very little weight to Grammy Awards won, but I question why the Grammy Awards should have been a factor at all. The Grammy Awards are notoriously out of touch with the times. This is the esteemed organization that honored “Winchester Cathedral” over “Eleanor Rigby” for best rock & roll recording in 1966. Enough said. I would stay as far away from the Grammy Awards as I could just in priniciple.

What are your reactions?

Top 20 albums of all time?

Just what the world needs: another top 20 albums of all time list, courtesy of the Y! Radish Music Blog. This list is a bit different from the usual critical assessments because it seeks to be more objective and empirical, weighing factors such as album sales, “critical rating value” (an amalgam of critical reviews), and number of Grammy Awards won. (The approach reminds me of those convoluted formulas that The Wall Street Journal uses to assess baseball and football players.) After all the dust settles, the Top 5 albums are:

5. Abbey Road, the Beatles.

4. Physical Graffiti, Led Zeppelin

3. Thriller, Michael Jackson

2. Dark Side of the Moon, Pink Floyd

1. Songs in the Key of Life, Stevie Wonder

You can see the complete list here. I love these kinds of lists. They confound, inspire debate, and, hopefully, force us to think more critically — none of which I’m going to do here. But I do have some random thoughts:

  • I admire Stevie Wonder; but I cannot remember the last time I played Songs in the Key of Life. How many of your friends own it?
  • There are four Led Zeppelin albums on this list. Now, I love Led Zeppelin. But I also know full well that in its day, the band was consistently bashed by critics. It wasn’t until well after the band broke up that it achieved critical respectability. I wonder how well this list takes into account critical response at the time the albums were actually released?
  • An album’s staying power is a worthy measure as noted by the formula employed by the Y! Radish Music Blog. But by definition, newer bands are penalized simply because their work hasn’t been around as long. I don’t know how else you can explain Radiohead being completely shut out of this list.
  • It’s a hoot to see Van Halen crash the party like a drunk uncle at a wedding reception, making Number 14 on the list with its eponymous first album. But how on earth did George Michael sneak in?
  • No Rolling Stones? No Doors? No Dylan? I’ll tell you why: the list fails to take into account an album’s influence on other albums, which is why The Doors or nothing by Dylan made the cut.
  • Fortunately the list assigns very little weight to Grammy Awards won, but I question why the Grammy Awards should have been a factor at all. The Grammy Awards are notoriously out of touch with the times. This is the esteemed organization that honored “Winchester Cathedral” over “Eleanor Rigby” for best rock & roll recording in 1966. Enough said. I would stay as far away from the Grammy Awards as I could just in priniciple.

What are your reactions?

Two lessons from the Avenue A | Razorfish Client Summit

On May 14-15, I helped my employer Avenue A | Razorfish organize its 8th annual Client Summit in New York. Each year at this event, company executives, guest speakers, and clients discuss the state of the art in digital marketing. The theme of the 2008 event was “Rock the Digital World” (an homage to guest keynote speaker Sir George Martin, the fifth Beatle, who gave the audience an inside glimpse at the making of the seminal Sgt. Pepper’s Lonely Hearts Club Band). At this year’s Client Summit, Avenue A | Razorfish wanted to challenge the audience of digital marketing executives to think of their roles differently — more as leaders, not just developers of successful digital marketing programs. Here are two take-aways for me now that I’ve had a moment to reflect on those hectic two days:

1. Social media hits the mainstream. More than once, our guests noticed the number of times our agenda speakers discussed social media. I was asked whether Avenue A | Razorfish was trying to make a statement about its importance. Well, yes and no. On the surface, there certainly was an impressive line-up from the social media realm: Charlene Li of Forrester Research drew upon her book The Groundswell to deliver an insightful keynote about the ways social media are changing the conversation between the consumer and marketer. My colleague Shiv Singh hosted a panel on applying social media as part of Social Influence Marketing. Megan O’Connor of Levi’s demonstrated how the Levi’s 501 Design Challenge used a social community to build brand with female consumers. Ted Cannis and Olivier Pierini of Ford Motor Company showed how Ford embraces social media inside and outside the company through efforts like the Ford blikinet and the Ford Global Auto Shows blog. And Andy England, CMO of Coors, touched upon social media several times (e.g., the Coors Light MySpace page) as he described the ways that Coors has embraced digital in its marketing. But here’s the thing: we did not deliberately set out to pack the agenda with social media. All we wanted to do was find some cutting-edge content to make marketers think of new ways of embracing the digital world, and the social media examples like Levi’s and Ford bubbled to the surface organically. This story just goes to show how social media is becoming a natural part of our lives, regardless of our intentions.

2. The importance of marketing as an experience. Avenue A | Razorfish CEO Clark Kokich discussed how the future of marketing is creating experiences that engage the consumer, not plastering marketing messages across the digital world. (Example: the Post Cereals Postopia website doesn’t push messages about Post Cereal; it’s an immersive world, hosted by Post Cereals, that families can enjoy.) Two Client Summit speakers showed what Clark meant. John McVay, the Avenue A | Razorfish client partner for AT&T, performed a live demonstration of how Microsoft Surface table technology can make the purchase of mobile devices fun through a touch-screen experience. (By the way, to pull off the demo, our production team needed to mount a camera in the ceiling of the ballroom of the Sheraton New York.) Then Terri Walter, Avenue A | Razorfish vice president of Emerging Media, and David Polinchock of the Brand Experience Lab performed an audience participation game that’s best described through this blog post by my colleague Iain McDonald of our Sydney office (which operates locally under the name Amnesia). Basically Terri and David made us think about how an an advertiser can create a branded game experience for any large gathering people — say a theater full movie goers waiting for a movie to start. Why sit around watching cheesy ads in a theater when we can interact with the movie screen and each other through a game that employs a webcam? I would happily do that if an advertiser will participate.

So, to summarize both ideas from the 2008 Client Summit in one sentence: the future of marketing is tapping into the social and immersive nature of the digital world to create engaging experiences, not to push messages.

By the way, many thanks to Deidre Everdij and the team at Highlight Event Design for producing our most demanding Client Summit ever. Deidre and her team saved our butts many times throughout the show. Talk about rocking the digital world! You can read more about the Client Summit here and here.

Two lessons from the Avenue A | Razorfish Client Summit

On May 14-15, I helped my employer Avenue A | Razorfish organize its 8th annual Client Summit in New York. Each year at this event, company executives, guest speakers, and clients discuss the state of the art in digital marketing. The theme of the 2008 event was “Rock the Digital World” (an homage to guest keynote speaker Sir George Martin, the fifth Beatle, who gave the audience an inside glimpse at the making of the seminal Sgt. Pepper’s Lonely Hearts Club Band). At this year’s Client Summit, Avenue A | Razorfish wanted to challenge the audience of digital marketing executives to think of their roles differently — more as leaders, not just developers of successful digital marketing programs. Here are two take-aways for me now that I’ve had a moment to reflect on those hectic two days:

1. Social media hits the mainstream. More than once, our guests noticed the number of times our agenda speakers discussed social media. I was asked whether Avenue A | Razorfish was trying to make a statement about its importance. Well, yes and no. On the surface, there certainly was an impressive line-up from the social media realm: Charlene Li of Forrester Research drew upon her book The Groundswell to deliver an insightful keynote about the ways social media are changing the conversation between the consumer and marketer. My colleague Shiv Singh hosted a panel on applying social media as part of Social Influence Marketing. Megan O’Connor of Levi’s demonstrated how the Levi’s 501 Design Challenge used a social community to build brand with female consumers. Ted Cannis and Olivier Pierini of Ford Motor Company showed how Ford embraces social media inside and outside the company through efforts like the Ford blikinet and the Ford Global Auto Shows blog. And Andy England, CMO of Coors, touched upon social media several times (e.g., the Coors Light MySpace page) as he described the ways that Coors has embraced digital in its marketing. But here’s the thing: we did not deliberately set out to pack the agenda with social media. All we wanted to do was find some cutting-edge content to make marketers think of new ways of embracing the digital world, and the social media examples like Levi’s and Ford bubbled to the surface organically. This story just goes to show how social media is becoming a natural part of our lives, regardless of our intentions.

2. The importance of marketing as an experience. Avenue A | Razorfish CEO Clark Kokich discussed how the future of marketing is creating experiences that engage the consumer, not plastering marketing messages across the digital world. (Example: the Post Cereals Postopia website doesn’t push messages about Post Cereal; it’s an immersive world, hosted by Post Cereals, that families can enjoy.) Two Client Summit speakers showed what Clark meant. John McVay, the Avenue A | Razorfish client partner for AT&T, performed a live demonstration of how Microsoft Surface table technology can make the purchase of mobile devices fun through a touch-screen experience. (By the way, to pull off the demo, our production team needed to mount a camera in the ceiling of the ballroom of the Sheraton New York.) Then Terri Walter, Avenue A | Razorfish vice president of Emerging Media, and David Polinchock of the Brand Experience Lab performed an audience participation game that’s best described through this blog post by my colleague Iain McDonald of our Sydney office (which operates locally under the name Amnesia). Basically Terri and David made us think about how an an advertiser can create a branded game experience for any large gathering people — say a theater full movie goers waiting for a movie to start. Why sit around watching cheesy ads in a theater when we can interact with the movie screen and each other through a game that employs a webcam? I would happily do that if an advertiser will participate.

So, to summarize both ideas from the 2008 Client Summit in one sentence: the future of marketing is tapping into the social and immersive nature of the digital world to create engaging experiences, not to push messages.

By the way, many thanks to Deidre Everdij and the team at Highlight Event Design for producing our most demanding Client Summit ever. Deidre and her team saved our butts many times throughout the show. Talk about rocking the digital world! You can read more about the Client Summit here and here.

I love REM’s latest but . . .

Accelerate sounds great but features the worst CD cover art (above) since Robert Plant released Fate of Nations:

And just about as bad as the hideous cover of the otherwise excellent A Bigger Bang by the Rolling Stones:

Why hide one of the most visible and highly recognizable bands in the world behind a blinding flash? (I’m sure Mick Jagger will reply to this post with an insightful reply.) And don’t you think the industry vets would have mastered this CD cover art thing by now?

What are your favorite bad CD/album covers from a major artist?

I love REM’s latest but . . .

Accelerate sounds great but features the worst CD cover art (above) since Robert Plant released Fate of Nations:

And just about as bad as the hideous cover of the otherwise excellent A Bigger Bang by the Rolling Stones:

Why hide one of the most visible and highly recognizable bands in the world behind a blinding flash? (I’m sure Mick Jagger will reply to this post with an insightful reply.) And don’t you think the industry vets would have mastered this CD cover art thing by now?

What are your favorite bad CD/album covers from a major artist?

Led Zeppelin: the mothership of superhype

led_zeppelin_houses_of_the_holy.jpg

I would crawl naked across a field of broken glass to attend the December 10 Led Zeppelin reunion in London.

And I have no rational reason to do so.

The band has recorded nothing new since breaking up in 1980. Zeppelin’s quickie reunion at Live Aid in 1985 was an embarrassment. And, sadly, the band will play without its heart and soul, drummer John Bonham, whose death triggered the group’s demise nearly 30 years ago.

Which begs the question: why on earth does a reasonable and discerning person like me own all six Zeppelin greatest-hits re-issues well past the point of redundancy? Why has Zeppelin sold more than 20 million albums since 1990? Why is Led Zeppelin the all-time top-selling band T-shirt at a store like Hot Topic, which caters to kids who were not even alive in 1980?

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Led Zeppelin: the mothership of superhype

led_zeppelin_houses_of_the_holy.jpg

I would crawl naked across a field of broken glass to attend the December 10 Led Zeppelin reunion in London.

And I have no rational reason to do so.

The band has recorded nothing new since breaking up in 1980. Zeppelin’s quickie reunion at Live Aid in 1985 was an embarrassment. And, sadly, the band will play without its heart and soul, drummer John Bonham, whose death triggered the group’s demise nearly 30 years ago.

Which begs the question: why on earth does a reasonable and discerning person like me own all six Zeppelin greatest-hits re-issues well past the point of redundancy? Why has Zeppelin sold more than 20 million albums since 1990? Why is Led Zeppelin the all-time top-selling band T-shirt at a store like Hot Topic, which caters to kids who were not even alive in 1980?

Continue reading