Rapper Mike Lo: “Those Beats Talk to Me”

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He’s Mike Lo if you didn’t know.

Underground rapper Mike Lo sings with the swagger of Eminem and smirks like one of the Beastie Boys. He lives in two worlds — the one he needs to make ends meet and the one he creates for himself. His day job consists of tending tables in the Chicago suburbs, where he is known for being exceptionally polite and considerate. But even when he’s tending tables, he has one foot in the world he built — full of swagger, drinking, and raw sexuality. While at work, he frequently uses his cell phone like an artist’s palette, recording snatches of dialogue and building lyrics into the songs he raps at bars and parties.

Those songs become videos — where he parties with his own posse (“Rack City”), lands in jail after drinking and driving (“Bars After Bars”), and laughs like could care less.

His recently released 17-track mixtape, Fully Lo Did, reveals a sound that is at times aggressive (“Fully Lo Did”) and reflective (“Up All Night”) — but it’s always moving fast, with catchy beats (check out the beginning of “This Is Wack” or “Floatin”) and cocky bravado. His songs remind me of what Dr. Dre once said about his own songs — music made for adult ears.

And, yeah, his word play is clever and smooth, whether he’s celebrating the joys of partying or smoking, similar to rapper Wiz Khalifa, whose Tumblr site features fan-uploaded videos including Mike Lo’s. (“Bars After Bars” was featured on Viewhiphop.com as well.)

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I asked Mike Lo to describe his songs to me and explain how he constructs them. As it turns out, he lives by the beat. The beats talk to him and fuel his words, giving him energy that he processes and throws back at you through his songs. He lives off energy of the audiences where he performs, whether he’s at a party or a bar. As he says, “I feed off all energy. I even feed off negativity. It keeps me going.”

Here is Mike Lo — in case you didn’t know. Discover Mike Lo on Reverbnation, Facebook, Twitter, and Global 14.

How did you get started in music?

I come from a very diverse family. My mom is white/Puerto Rican and my father is white/black. I am from Elgin, Illinois, born and raised in the suburbs of Chicago. Music has always been around me. Riding in the car, I grew up listening to my dad playing songs on the radio in the car, and I sang along with everything I heard, whether from Snoop Dogg or NWA. As I got older and started really getting into music, I listened to Eminem and 50 Cent.

Eminem

I have always been into rapping. I have been writing lyrics since I was in sixth grade, and I’ve never stopped. Back in sixth grade, I played on the boys basketball team, and during road games on the back of the bus, you could find me writing and rapping.  I didn’t know I wanted to pursue music as a career until I was about 21. Whenever I heard a rap song, I would wonder, “Damn, why can’t I do this?” So I went out and tried it.

How did your diverse background affect you growing up?

I believe growing up with such a diverse family had a major effect on my life. I never really knew how to label myself, or knew which friends would accept me because I’m a certain color. Everyone was always asking me what my race was, and I simply respond “mixed.” Even if I had labeled “white,” people knew I wasn’t just white. It wasn’t until I was older that understood more clearly. My background encourages me to show people no matter where you come from or what your background may be, you can do whatever you want if you do it with passion and work hard at it daily.

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Life in the hip-hop underground with Symon G. Seyz

Hip-hop artist Symon G. Seyz lives not for record sales but for the passion of making music. The 28-year-old rapper is a member of the hip-hop underground – where unsigned musicians find audiences by giving away their own mixtapes on the streets, performing at clubs and private parties, and using Twitter as their de facto booking agents and PR support.

You won’t find the hip-hip underground in the pages of Hip Hop Weekly but on social community Global 14, where many hip-hop artists are connecting with audiences and others like them. In fact, Global 14 is where I met Symon G. Seyz, a resident of Hammond, Indiana, an industrial town just south of Chicago.

In the following interview, Symon G. Seyz, a teacher by day and rapper by night, provides an open assessment of what it’s like to create and share your music in the hip-hip underground. And he has a lot on his mind. He believes hip-hop has an image problem, and he worries that maybe he’s too clean to be cool for hip-hop – or at least what middle-class America wants to hear from the art form.

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Al Davis: American badass

Why should you care about Al Davis, the maverick Oakland Raiders owner who passed away October 8 at the age of 82? Because not only did Al Davis create one of the greatest badass brands of all time with the Oakland Raiders of the National Football League, he was a badass. The ethos of the Raiders silver and black has had an enormous cross-over appeal in American culture, informing the tastes of a diverse demographic ranging from urban rap artists to middle-class suburbanites.

Through his actions and his style of marketing, Al Davis epitomized brand authenticity.

Al Davis is best remembered for his take-no-prisoners “Just win, baby” style of running the Oakland Raiders in the 1970s and for the slicked-backed hair and dark sunglasses that made him look like a cross between a greaser and Darth Vader. But he had been part of professional football since 1960 (at one point being head coach and general manager of Continue reading

Music I like: “Be With-Without You” by Symon G. Seyz

Be With-Out You by SymonG,Seyz
“Be With-Without You” by Symon G. Seyz caught my ear because of its smooth arrangement reminiscent of better ‘70s R&B. What makes the song is SymonG’s soulful rap punctuated by a recurring Isley Brothers-style guitar riff (listen for it 27 seconds into the song).

Symon G. Seyz shared this one with me via Jermaine Dupri’s Global 14 social destination, which is an outstanding source of emerging music from aspiring hip-hip and rap stars.

Symon G. is an emerging artist from Hammond, Indiana, and he has a string of mix tapes under his belt. He cites his early influences as Silkk, the Shocker, Mystikal. As he commented to me, “It is so hard getting people to check me out because none of my songs are about drugs or shooting people . . . I’m fighting an uphill battle.”

So please check him out.