Led Zeppelin Invades Record Store Day

They come from the land of the ice and snow, invading Record Store Day April 21 like land-grabbing Visigoths of Yore: Led Zeppelin recently announced its first-ever Record Store Day release, a 7-inch single consisting of unheard mixes of “Rock and Roll” and “Friends.” Both mixes, produced by Jimmy Page, have elevated Record Store Day from a celebration of vinyl to a homecoming as the band emerges from the mists of Avalon to celebrate its 50th Anniversary.

“Rock and Roll” is the better known of the two songs, with its rousing opening drums and anthemic power. But “Friends” has always intrigued me more than “Rock and Roll.”

Whereas “Rock and Roll” is powerful a call to arms, “Friends” is a more subtle, evocative song that rewards repeated listening. The second song on Led Zeppelin III, “Friends” captures the mystery, adventure, and musical versatility that has always set Led Zeppelin apart from hard rock bands such as Deep Purple. The song, employing strings and bongo drums, a folk acoustic turn from Jimmy Page, and a piercing Robert Plant vocal, imparts a distinct Middle Eastern vibe that is even more pronounced in the stunning live version that Page and Plant recorded with an Egyptian orchestra in 1994.

A version recorded with the Bombay Orchestra was released as part of the deluxe edition of Coda in 2015, which features a more dissolute vocal from Plant.

When you experience “Friends” in its three most popular versions — the original, the Coda reissue, and the collaboration with the Egyptian orchestra — you can hear the foundation that Led Zeppelin was building for “Kashmir,” five years later. “Friends” stands alone as psychedelic, cross-cultural masterpiece.

Would Led Zeppelin Succeed Today?

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Led Zeppelin. The name evokes the hammer of the gods, hypnotic music forged in the mists of Mordor and the mountains of Kashmir, and the heavy gravitas of legend. Here is a band whose place in rock history is secure. Five of its albums are listed in Rolling Stone‘s ranking of the 500 Greatest Albums of All Time, and Led Zeppelin’s music is so influential and powerful that it resonates with generation after generation of fans. But Led Zeppelin achieved renown at a different time, when the music industry played by different rules, and artists made their mark through an art form — the record album — that has become anachronistic. If Led Zeppelin were just starting out today as an unknown group, would the band break through and succeed? I believe Led Zeppelin would indeed become a household name — but only by adapting its game plan to play by today’s rules:

Rule 1: Make Great Music

Let’s first look at an obvious ingredient for success: artists must produce consistently great music. It sounds obvious, but musicians possess zero margin for error in the here-today, gone-tomorrow environment that characterizes the music industry. Groups are competing against distractions that did not exist in the 1970s: the Internet, mobile apps, video games, and a proliferation of television channels, to name a few. A sensation such as Psy can create a massive breakthrough with “Gangnam Style” only to be tossed on the dust heap of one-hit wonders if he lacks a compelling follow-through. But bands anxious about generating the next hit also have to exercise caution: the proliferation of digital channels such as SoundCloud makes it too easy for artists to release music that is not ready for prime time. Good bands must resist the temptation to release music too early; they also must transcend the blizzard of white noise emanating from multiple channels.

Assessing the quality of an artist’s music is entirely subjective, but I believe Zeppelin’s style would resonate even in today’s climate, where an explosion of music formats such as electronic dance music and hip-hop have diluted rock music’s influence. The band’s music defied categorization. Certainly songs such as “Kashmir” and “Dancing Days” were exotic and versatile enough to appeal to listeners beyond rock. In fact, Led Zeppelin’s music has been sampled heavily by hip-hop artists such as Dr. Dre and Eminem, with “When the Levee Breaks” alone sampled numerous times. All Led Zeppelin’s music was carefully developed under the exacting standards of Jimmy Page, who had the unusual role of lead guitarist, co-writer, and producer. That the group has won so many accolades such as the Kennedy Center Honors is a testament to its attention to detail. Even Led Zeppelin’s rough works in progress from the slew of deluxe editions issued in recent months are better than much of what passes for polished material that you find on SoundCloud.

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Jimmy Page Shares Three Lessons for Content Marketers

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Jimmy Page: legendary guitarist, producer, all-around rock god . . . and a marketing teacher. Yes, the guitar magus knows marketing in addition to music. He not only founded Led Zeppelin but also influenced the band’s image, down to crucial details such as the choice of album artwork (most famously for Led Zeppelin’s untitled fourth album) and Led Zeppelin’s visual presentation in concert. Of course Led Zeppelin became one of the most successful rock groups ever. So when Page conducted an exclusive interview with the Berklee College of Music to discuss his career, as a marketer I watched the video interview closely. I listened to his ideas through the lens of content marketing given the nature of much of my own professional work. Even though marketing was not the focus of the conversation, Page is so image-savvy that he shared some useful marketing advice even when he wasn’t trying — especially about the importance of over delivering to your audience, being eclectic, and always learning.

1. Over deliver to your audience

In the interview, Page recounts the time when, early in its career, Led Zeppelin began building a loyal fan following by playing explosive concerts that could stretch for as long as three hours — even though the band had only one album’s worth of material under its belt.

Recalling the first time the band ever played a three-hour show, he says, “In the very early days we had only one album out, and the audience just wouldn’t let us go — they wanted more, and more, and more. In the end, we exhausted anything that any of us knew individually or collectively.”

In due course, Led Zeppelin would become renowned for performing mind-blowing shows, combining the power of the band’s music with a flair for the theatrical (as evidenced with Page’s choice of exotic stage garb). The band’s dedication paid off: by 1973, Led Zeppelin was playing to more than 56,000 people at Tampa Stadium, breaking an attendance record set by the Beatles at Shea Stadium.

Do you over deliver to your audience with your content marketing? Chipotle Mexican Grill certainly does. Content Marketing expert Joe Pulizzi says that Chipotle takes a “24/7” approach to branded content. For instance, in 2013, Chipotle created a digital video and game, The Scarecrow, to spark a consumer conversation about industrial farming. Chipotle pulled out all the Continue reading

Visual Storytelling in Today’s “All Access” Era

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Access. It’s the most valuable currency of celebrity journalism. Photojournalists Bob Gruen and Ken Regan built celebrated careers by getting access to coveted rock stars such as Madonna, whom Ken Regan photographed as she was about to become a star. Regan, who passed away in 2012, was welcomed into the homes of rock stars not only because he had undeniable talent, but he handled access with discretion. But in today’s era of stars granting “all access” to everyone through social media, what’s the role of the great professionals like Gruen, Regan and Annie Leibovitz? At a time when anyone with an iPhone can become a photojournalist, what sets apart great visual storytelling from pedestrian photography?

I asked that question and a few others as I re-acquainted myself with retrospectives on the careers of Gruen and Regan: Rock Seen, which covers some of the landmark moments of Gruen’s work, and All Access: The Rock & Roll Photography of Ken Regan.

Both of the books are vivid reminders that rock and roll is as much a visual medium as it is a musical one. Sometimes the rock stars just explode off the page, as in this photo of Jimi Hendrix taken by Ken Regan:

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How One Tweet from Jimmy Page Turned “Ramblize” into a Media Sensation

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How did an obscure song that was languishing on YouTube for two years suddenly capture the interest of music journalists? Two words: Jimmy Page.

Here’s the scoop: on November 15, the guitar god shared via Twitter a cryptic message about legendary rapper Biggie Smalls, aka Notorious B.I.G., with a link to Page’s website, jimmypage.com. Visitors to Page’s website encountered a new song streaming: “Ramblize,” which is a mash-up of Notorious B.I.G.’s “Hypnotize” and Led Zeppelin’s “Ramble On.” The song, which combines bits of Page’s acoustic guitar, Notorious B.I.G.’s rap, and some snatches of Robert Plant’s vocals, created an instant sensation, with publications such as Rolling Stone, Ultimate Classic Rock, and XXL writing fairly gushy articles about its emergence on Jimmypage.com. Rolling Stone asked, “Who knew Jimmy Page was a hip-hop head?

But who actually made the mash-up and when is unclear. A version dated May 2011 appears on YouTube and was uploaded by YouTube user @theLionsRampant. In the comments field, one user Continue reading

Creating Art from Failure: The Design of the “Houses of the Holy” Album Cover

Great artists turn limitations into strengths. Case in point: the cover art for Led Zeppelin’s Houses of the Holy, the subject of my latest post in a series that celebrates memorable album covers.

The story of this astonishing design begins in 1972, when Led Zeppelin, at the height of its creative powers, commissioned the Hipgnosis team, led by Storm Thorgerson and Aubrey Powell, to design the cover for the band’s new album. Led Zeppelin had already recorded a diverse body of songs for the new LP, ranging from the soaring “Song Remains the Same” to the quiet, romantic “Rain Song.”

But Thorgerson and Powell were given access to none of the songs on the album. The only creative direction the band gave Hipgnosis was that the title of the forthcoming album was Houses of the Holy.

This was no small assignment. Led Zeppelin was one of the world’s most popular and powerful bands, with an image steeped in dark mysticism. As Thorgerson would remember in For the Love of Vinyl: The Album Art of Hipgnosis, “Something large, strong, powerful, awesome and mythic was clearly called for but what would that be?”

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The marketing genius of “Led Zeppelin IV”

Imagine if Apple unveiled the latest iPhone without a logo or if Lady Gaga had released Born This Way without her name, face, or album title on the cover.

That’s what Led Zeppelin did 40 years ago when the band issued its fourth album with a cover consisting solely of a dreary photo: an old man, hunched over with wood sticks stacked on his back — no title, band name, song listing, record label logo, or even a catalog number.

In doing so, Zeppelin committed a masterstroke of marketing brilliance that still resonates today.

The album many of us simply refer to as Led Zeppelin IV (or Zoso) is the subject of an August Classic Rock cover article by Barney Hoskyns, author of Led Zeppelin IV (Rock of the Ages). His article is a worthwhile introduction (although certainly not the only one) to a work that has sold 23 million copies and is ranked among the greatest rock albums of all time by authorities ranging from Rolling Stone to the Rock and Roll Hall of Fame.

Hoskyns not only documents the recording of the album and its landmark songs (“Stairway to Heaven” among them); but he and author Dave Lewis (Led Zeppelin historian and editor of Zeppelin magazine Tight but Loose) also discuss perhaps the most famous album packaging in the history of rock music – a combination of runes and puzzling artwork that inspires conversation even in a digital era that treats albums like relics.

In this post, I expand on the significance of the album design: how it complements the music of Led Zeppelin IV and influences the album’s timeless, mystical appeal. In my view, the success of Led Zeppelin IV is a lesson in creating brand mystique by not over-explaining and instead revealing a few well-chosen clues that provoke discussion.

No Title? No problem

To appreciate the impact of Led Zeppelin IV, I think it’s helpful to understand the album’s historical context. As many rock historians have reported, Led Zeppelin was at a crossroads when it released the album that would help make Zeppelin “one of the biggest bands on the planet” in Hoskyns’s words.

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