“This Is America” Reignites a Musical Resistance

The musical resistance just came roaring back with the release of the searing “This Is America,” by the irrepressible Childish Gambino (aka Donald Glover). Here is a song that reminds us of music’s power to provoke and confront society in the tradition of great protest work such as Sly and the Family Stone’s There’s a Riot Goin’ On. The video invites frame-by-frame dissection with its disturbing, powerful images — such as a Jim Crow caricature, gun violence, images of dancers frolicking amid chaos — and lyrics such as:

This is America

Don’t catch you slippin’ up

Look at how I’m livin’ now

Police be trippin’ now

Yeah, this is America

Guns in my area (word, my area)

I got the strap

I gotta carry ‘em

Released on May 5, “This is America” has gone massively viral, accumulating 23 million views within two days and sparking discussion among social mediaand news media ranging from The Atlantic to The Guardian. Although the song stands alone as a strong statement, “This Is America” assumes even more gravitas when you view the work in context of the political and social consciousness that has gripped popular American music in recent months. Continue reading

Roger Waters Leads a Musical Resistance

When was the last time that popular music made you think?

I mean really made you think about the state of the world and your place in it? The leaders you’ve elected? The choices you’ve made down to the products you buy?

The music of Roger Waters always makes me think. Like when I’m watching him in concert wear a mask of a pig snout and stalk the stage with a champagne glass while his band plays “Dogs.” Or when he examines the plight of the millions of refugees around the world in “The Last Refugee,” a song from his latest album Is This the Life We Really Want?

His songs evoke a time when popular music was a voice for dissent and dialogue about politics and social change – when the Rolling Stones’s “Street Fighting Man” was a rallying cry for Vietnam War protestors and Sly & the Family Stone eviscerated American values with There’s a Riot Goin’ On.

That time is now.

The current political and social unrest that grips the United States and the world has inspired mainstream artists to speak out through their music and actions. No matter what your taste in music is, it’s hard not to notice. For example:

  • In 2016 Beyoncé departed from her usual songs about dancing and grinding to release Lemonade, a celebration of black sisterhood that contributed to the conversation about #BlackLivesMatter.

  • In August, Pink released “What about Us,” with its accusations of betrayal from political leaders.

  • Kendrick Lamar continues to confront American racism on albums such as To Pimp a Butterfly and Damn.

  • (Update: on October 10, Eminem issued a clear and urgent protest against President Donald Trump with his fist-pumping rap freestyle, “The Storm,” which quickly went viral on social media.)

We’re living in an age of heightened activism. Although the groundswell around social justice issues such as #BlackLivesMatter has been happening over the past few years, the election of Donald Trump has unquestionably turned that activism into dissent for many artists (unless you happen to be Kid Rock or Ted Nugent).

According to The Atlantic’s Spencer Kornhaber, the first 100 days of the Trump administration inspired a bumper crop of protest music. As Cat Buckley of Billboard recently reported, 2017 is a year of a “brewing musical resistance” with President Donald Trump the focus of that resistance.

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From Eminem to Warhol: creating art out of vinyl

Daniel Edlen makes art out of vinyl LPs. Yup, I’m talking about the shiny black LPs that defined how we experienced music in the pre-digital era, which have become in vogue again more than 60 years after vinyl was introduced. Daniel’s business, Vinyl Art, offers stunning images of iconic musicians via portraits hand painted with white acrylic on vinyl.

His website offers a compelling challenge: “Gone digital? Get back to what you lost” by exploring the tactile world of vinyl as experienced through Daniel’s portraits of musicians ranging from Eminem to Elvis. For $350, you can bring Johnny Cash’s brooding face or Aretha Franklin’s soulful gaze to your home — or have a piece of your own commissioned.

By celebrating the joy of the physical musical experience in a digital world, Vinyl Art is succeeding. His work has been exhibited in locations such as the VH1 Corporate Gallery, commissioned by the David Lynch Foundation, and owned by the likes of Lou Reed.

According to Electric Moustache, “Vinyl Art is badass,” and I agree. I recently interviewed Daniel to find out more about Vinyl Art — what inspires him to do what he does and how he uses digital to build his business. He also discusses a brand new Andy Warhol triptych he created to celebrate Warhol’s iconic album designs for The Velvet Underground & Nico, Sticky Fingers, and John Lennon’s Menlove Ave. In the interview, Daniel shares not only a passion for music and art but for giving, as well. To view more Vinyl Art, check out a free eBook of his work here.

Why vinyl art? What inspires you to do what you do?

Giving inspires me. Not giving to get but giving to contribute. I like the question “Are you a miner or a farmer?” Miners take and don’t give back. Farmers take but then replenish, remix, restore. Throughout my earlier years I took from culture, incorporating sights and sounds into who I am today. The opportunity to create my Vinyl Art is an opportunity to give back to our culture in my way. Continue reading