How do you build a digital brand?

How do you build a digital brand — one that lives up to digital’s potential for immersion and personalization?   The following two recent Razorfish client launches highlight the roles of creativity and technology — and demonstrate some of the nuances of branding the digital way.

Billboard

Billboard posed an interesting challenge to the New York office of my employer Razorfish: reposition a brand for a consumer audience.  Through its event business, digital presence, and print media, Billboard is known primarily as a business-to-business brand.  The company asked Razorfish to inject more of a consumer-oriented look and feel to the Billboard.com website.  Although Billboard.com is a consumer website, Billboard’s reputation as a B-to-B brand contributed to a general assumption that Billboard.com is not for consumers.  Billboard saw an opportunity to make Billboard.com “behave” like a consumer site with improved interactivity.  The Razorfish approach:

  • Retain the Billboard name.  The B-to-B reputation notwithstanding, the Billboard name is so well established (115 years old) that we saw little need to adapt the name for a consumer audience.
  • Completely revamp the Billboard.com website.  Throw out the model of providing just basic information about top-selling songs and artist background via the flat website that existed until now.  Instead, turn Billboard.com into a playful destination where consumers can listen to and purchase music, vote on their favorite songs, and learn a ton of information about different artists, including their chart history and biography.  A new “Visualizer” feature makes it possible for you to see a chart that shows album sales throughout an artist’s career.  Playing around with the Visualizer unveils layers of detail such as peak positions for particular songs.  Moreover, with an easy click you can share content to social destinations like Twitter.

Exclusive video content available on Billboard.com

Using the Visualizer to track the remarkable 251-week Billboard chart run for Pink Floyd’s The Dark Side of the Moon

For more about the Billboard.com redesign, go here.

Channel [V] Australia

The challenge for Channel [V] Australia was different: launch a new brand online.  Channel [V] Australia is a cable TV channel that broadcasts musical content for a Gen Y audience.  Channel [V] wanted an online presence.  The solution from Amnesia Razorfish in Sydney:

  • Create a brand name for digital, [V] Music. We felt a new name was necessary for a few reasons.  First, Amnesia Razorfish wanted to more strongly associate the company with music because the digital experience is supposed to be the “source of all things music.”  And the name [V] Music would work better from an organic search standpoint.
  • Create an immersive experience so that consumers have a destination to explore music, including a video library that houses 1.3 million artists.  Enable personalization (via a My Music feature).  Moreover, a video player created by Amnesia Razorfish called “the Slider” allows you to watch videos continuously while you browse the website.  (Unfortunately because of Channel [V]’s licensing agreements, the videos are viewable only in Australia.)  The site also posts concert listings and links to special [V] Music accounts on Twitter, YouTube, and Facebook.  Amnesia Razorfish built the interface in Ajax to allow the page to dynamically update content as you slide across the page in real time (an effect seen only in Flash).

Through the [V] Music rebranding, Channel [V] now has an opportunity to expand its presence into music and even open up content overseas should the company elect to adopt different licensing models.

A taste of [V] Music

For more information on Music [V], check out this post.

For more Razorfish insights into digital branding, please review Joe Crump’s point of view on Digital Darwinism.

What does a digital brand look like, and sound like, to you?

Avenue A | Razorfish Unveils Top 10 Digital Brands

In a previous blog post, I mentioned that my Avenue A | Razorfish colleague Joe Crump was going to discuss “Digital Darwinism” at the Cannes International Advertising Festival on June 21. Today I’m making available to you his final presentation courtesy of SlideShare. Make sure you check out the top 10 digital brands, which Joe unveiled at Cannes using the Avenue A | Razorfish proprietary Brand Genes Scoreboard:

1. Google

2. Apple

3. YouTube

4. Flickr

5. Netflix

6. Nike

6. eBay

8. IKEA

9. Coca-Cola

10. Mercedes

These brands scored the highest when we measured them against atributes like immersion (how easy it is for a consumer to become engaged with your digital home), social (whether a consumer finds your brand worth sharing), and adaptive (how well a brand responds to a consumer’s digital environment), among other qualities. By contrast, the Interbrand top brands are as follows:

1. Coca-Cola

2. Mercedes

3. General Electric

4. Nokia

5. Microsoft

6. IBM

7. Disney

8. McDonald’s

9. Toyota

10. Intel

Coca-Cola and Mercedes are the only two Interbrand top brands that make the Avenue A | Razorfish top 10 list. So . . . do you agree or disagree with Avenue A | Razorfish? For more reading on Digital Darwinism, go here.

Avenue A | Razorfish Unveils Top 10 Digital Brands

In a previous blog post, I mentioned that my Avenue A | Razorfish colleague Joe Crump was going to discuss “Digital Darwinism” at the Cannes International Advertising Festival on June 21. Today I’m making available to you his final presentation courtesy of SlideShare. Make sure you check out the top 10 digital brands, which Joe unveiled at Cannes using the Avenue A | Razorfish proprietary Brand Genes Scoreboard:

1. Google

2. Apple

3. YouTube

4. Flickr

5. Netflix

6. Nike

6. eBay

8. IKEA

9. Coca-Cola

10. Mercedes

These brands scored the highest when we measured them against atributes like immersion (how easy it is for a consumer to become engaged with your digital home), social (whether a consumer finds your brand worth sharing), and adaptive (how well a brand responds to a consumer’s digital environment), among other qualities. By contrast, the Interbrand top brands are as follows:

1. Coca-Cola

2. Mercedes

3. General Electric

4. Nokia

5. Microsoft

6. IBM

7. Disney

8. McDonald’s

9. Toyota

10. Intel

Coca-Cola and Mercedes are the only two Interbrand top brands that make the Avenue A | Razorfish top 10 list. So . . . do you agree or disagree with Avenue A | Razorfish? For more reading on Digital Darwinism, go here.

Digital Darwinism at Cannes

Is there such a thing as a digital brand? Joe Crump certainly thinks so.

Joe is an executive in the strategy practice of Avenue A | Razorfish, my employer. On June 21 at the Cannes International Advertising Festival, Joe will unveil the top 10 digital brands based on a new scorecard (created by Avenue A | Razorfish) known as the Brand Gene Scoreboard.

Joe contends that brands need to view the digital world differently than the off-line world. In his view, digital is “ruthlessly Darwinian.” Consumers form impressions of your website in milliseconds. If they don’t like what they see, they can shut you out forever with one easy mouse click. Or tell their friends how boring you are you on blogs, review sites, and social hangouts like Facebook.

His view: brands must tap into the immersive and social nature of digital to survive. They have to be more fast moving than ever if they want to put digital at the core of their success. He’s decided to do something about it by developing the Brand Gene Scoreboard to help companies assess how digital their brands really are.

The scorecard identifies seven attributes such as immersion (how easy it is for a consumer to become engaged with your digital home), social (whether a consumer finds your brand worth sharing), and adaptive (how well a brand responds to a consumer’s digital environment), among other qualities. Flickr, Netflix, and Nike score well when measured by the scorecard. But some of the leading brands according to Interbrand, like GE and IBM, perform poorly when we apply the Brand Gene Scoreboard to measure their digital brand savvy.

Joe’s point of view is not without controversy. To the naysayers, there is no such thing as a digital brand anymore than there are digital people. You don’t need digital to make your brand “social” — good-old fashioned word of mouth occurs in the offline world all the time and will continue to do so. And brick-and-mortar stores like American Girl illustrate that you don’t need digital to be immersive.

And yet . . . digital is different. Yes, people have been marketing through word of mouth for a long time. But as Charlene Li and Josh Bernoff point out in The Groundswell, digital turbocharges inherently social behaviors and takes word of mouth — for better or worse — to a whole new level. What used to be a long, gradual process can now happen literally overnight because of social media tools like blogs. And there’s no question that a digital destination like shaveeverywhere can turn even the most mundane product demonstration into an engaging and fun experience that’s hard to convey in the offline world.

If you are at Cannes, you can see his talk Saturday, June 21, at 1 p.m., Debussy Theatre, Palais des Festivals. If not, you can hear a flavor of his ideas by viewing the presentation at the top of this blog post (this is a preview of the Cannes presentation, which Joe delivered at the Avenue A | Razorfish Client Summit in New York on May 14.) Check this out, too, for further reading, and let me know if you agree or disagree.

Digital Darwinism at Cannes

Is there such a thing as a digital brand? Joe Crump certainly thinks so.

Joe is an executive in the strategy practice of Avenue A | Razorfish, my employer. On June 21 at the Cannes International Advertising Festival, Joe will unveil the top 10 digital brands based on a new scorecard (created by Avenue A | Razorfish) known as the Brand Gene Scoreboard.

Joe contends that brands need to view the digital world differently than the off-line world. In his view, digital is “ruthlessly Darwinian.” Consumers form impressions of your website in milliseconds. If they don’t like what they see, they can shut you out forever with one easy mouse click. Or tell their friends how boring you are you on blogs, review sites, and social hangouts like Facebook.

His view: brands must tap into the immersive and social nature of digital to survive. They have to be more fast moving than ever if they want to put digital at the core of their success. He’s decided to do something about it by developing the Brand Gene Scoreboard to help companies assess how digital their brands really are.

The scorecard identifies seven attributes such as immersion (how easy it is for a consumer to become engaged with your digital home), social (whether a consumer finds your brand worth sharing), and adaptive (how well a brand responds to a consumer’s digital environment), among other qualities. Flickr, Netflix, and Nike score well when measured by the scorecard. But some of the leading brands according to Interbrand, like GE and IBM, perform poorly when we apply the Brand Gene Scoreboard to measure their digital brand savvy.

Joe’s point of view is not without controversy. To the naysayers, there is no such thing as a digital brand anymore than there are digital people. You don’t need digital to make your brand “social” — good-old fashioned word of mouth occurs in the offline world all the time and will continue to do so. And brick-and-mortar stores like American Girl illustrate that you don’t need digital to be immersive.

And yet . . . digital is different. Yes, people have been marketing through word of mouth for a long time. But as Charlene Li and Josh Bernoff point out in The Groundswell, digital turbocharges inherently social behaviors and takes word of mouth — for better or worse — to a whole new level. What used to be a long, gradual process can now happen literally overnight because of social media tools like blogs. And there’s no question that a digital destination like shaveeverywhere can turn even the most mundane product demonstration into an engaging and fun experience that’s hard to convey in the offline world.

If you are at Cannes, you can see his talk Saturday, June 21, at 1 p.m., Debussy Theatre, Palais des Festivals. If not, you can hear a flavor of his ideas by viewing the presentation at the top of this blog post (this is a preview of the Cannes presentation, which Joe delivered at the Avenue A | Razorfish Client Summit in New York on May 14.) Check this out, too, for further reading, and let me know if you agree or disagree.