Let us now praise old rock and rollers

September 17th, 2008     by ddeal    

On September 16, B.B. King turned 83, just weeks after releasing his latest recording, the well received One Kind Favor, and on the same day, 59-year-old Lindsey Buckingham blessed us with Gift of Screws, thus continuing a run of great music created by rock, country, and blues musicians who could qualify for the senior citizens discount.

Today’s older generation of pop and rock stars — the Bob Dylans, Patti Smiths, and Al Greens — have lived, lost, and flourished. They come from diverse backgrounds, but I believe these traits unite them:

  • Adventure. Robert Plant, now 60, could have rested on his laurels after Led Zeppelin broke up in 1980. Instead, he embarked on a solo career that established him as one of the most inventive musicians in rock history, not “the ex-front man for Led Zeppelin.” His work, especially in the 1990s and beyond, has explored the rhythms of North Africa, rockabilly, folk, and a dash of electronica. He doesn’t need the primal scream of Zeppelin days. On the CD Dreamland, he practically whispers folk covers, and he quietly explores blue grass with Alison Krauss in Raising Sand. Could it be that the established rockers like Plant are in a better position to take these kind of risks because they have nothing left to prove?
  • Perspective. When Paul McCartney was 24, he could only ponder turning 64 some day. In Memory Almost Full, McCartney, his 60s, could speak from experience. On his best recording in decades, he accepts his mortality but revels in the fact that his life has room for whimsy and joy. Perspective, however, also means pain. In the poignant “Mama You Sweet,” Lucinda Willaims, in her 50s, learns to say goodbye to her mother, who died in 2004. In “The Long Goodbye,” Bob Seger, in his early 60s, ruminates on the ravages of Alzheimer’s (which his family has experienced first hand). Lucinda Williams and Bob Seger have experienced the kind of loss that comes with growing older. I want to know how they feel about that.
  • Passion. I don’t particularly care what Kid Rock believes about the war in Iraq. But when Neil Young and John Fogerty vented their anger about Iraq in Living with War and Revival recently, I listened. In particular, Young has seen it all (and protested against it all) from Vietnam to Iraq. He’s earned the right to be a conscientious voice. The older rockers (especially contemporaries of Bob Dylan) came of age at a time when rock and roll meant having a point of view about society and politics. And boy, are they pissed off. John Mellencamp rails against racism in “Jenna,” and the Eagles take on empty consumerism in “Long Road out of Eden.” Whether you agree with them is beside the point. Their passionate social commentary is something sorely lacking today with the exception of rap muscians like Dr. Dre and rock bands like Radiohead.

Rock and roll still means decadence and rebellion. But “hope I die before I get old,” as Pete Townsend once famously wrote, is more myth than reality. The Bob Segers, Lindsey Buckinghams, Lucinda Williamses, and Robert Plants show us that rock also means passion, beauty, loss, adventure, and gowing old. Gracefully.

For further listening, I’ve listed below a partial roll call of excellent music from veterans since 2006:

  • Lindsey Buckingham, at 59, just released Gift of Screws.
  • Bob Dylan continued to confound and amaze with Modern Times, which he released in 2006, at 65.
  • In 2007, the ancient Eagles produced their first new complete studio recording since 1979, Long Road out of Eden, including the title song mentioned in this blog.
  • John Fogerty, 62, released the appropriately titled Revival in 2007.
  • Al Green, still cooing and sighing at 62, graced us with the beautiful soul of Lay It Down in 2008.
  • Emmylou Harris, 61, continued her songwriting renaissance with All I Intended to Be in 2008.
  • Levon Helm, 67, rebounded from throat cancer to record Dirt Farmer in 2007.
  • Elton John, 59, released The Captain & the Kid in 2006, a worthy update of 1975’s Captain Fantastic and the Brown Dirt Cowboy.
  • B.B. King, 83, reminded us of the power of the blues with One Kind of Favor in 2008.
  • In 2007, Paul McCartney, 64, gave us Memory Almost Full, one of his best since Band on the Run in 1973.
  • In 2008, Aimee Mann, 48, gave us @#%&*! Smilers and then threatened to quit recording unless someone actually bought her music.
  • John Mellencamp, 55, released the reflective Life Death Love and Freedom in 2008.
  • Joni Mitchell, 60 (and a muse for Robert PLant in the early 1970s), released Shine in 2007
  • In 2007, Willie Nelson, 74, teamed with Merle Haggard, 69, and Ray Price, 81, to create Last of the Breed. (They never sounded better in their tour to support the CD, too). Then Nelson and Wynton Marsalis, 46, fused country and jazz with Two Men with the Blues in 2008.
  • Robert Plant, 59, teamed with relative baby Alison Krauss (in her tender 30s) to create the weirdly affecting blue grass sounds of Raising Sand.
  • Prince, pushing 50 in 2007, released his best recording in years, Planet Earth.
  • Bob Seger, 61, contemplated aging and loss in Face the Promise in 2006.
  • Patti Smith, 60, reinvented songs such as “Are You Experienced?” and “Gimme Shelter” on Twelve, a collection of covers, in 2007. (Check out the new Steven Sebring movie about her, Dream of Life.)
  • Bruce Springsteen, 58, produced Magic in 2007.
  • In 2007, Lucinda Williams, 54, continued to fuse rock, folk, and country with West, and she’s about to release the highly anticipated Little Honey.
  • Neil Young, 60, unleashed the rage of Living with War in 2006 and then waxed poetically with Chrome Dreams II in 2007. (A typically eccentric Young touch: there was never a Chrome Dreams I.)

Whom have I missed?


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  1. 6 Responses to “Let us now praise old rock and rollers”

  2. By akusfan on Sep 17, 2008 | Reply

    Don’t know who you missed but you did get something wrong ;D
    Raising sand is not bluegrass! It’s Americana.

  3. By David Deal on Sep 17, 2008 | Reply

    Akusfan, you’re right: “Americana” is a more apt description for the entire body of songs that comprise “Raising Sand,” including blues, folk, and blue grass. I was highlighting blue-grass tinged parts of the CD because they seemed to be adding a new dimension to Plant’s sound, in particular Alison Krauss’s singing and fiddle playing. Thank you for your comment. Glad you care. I’ve seen Plant in concert a few times now, and not only is his singing astonishing, his obvious love for all forms of music is endearing. I believe he’s actually a more versatile singer now than he was with Zeppelin, but obviously his style then was the perfect fit for Zeppelin.

  4. By Chris Boese on Sep 18, 2008 | Reply

    Lindsey Buckingham looks like he’s been ridden hard and put up wet.

    No comment, but I’ll still take Stevie any day…

  5. By Christine on Sep 18, 2008 | Reply

    It’s interesting that you consider Plant’s bluegrass and folk recordings as adventurous. Like Eric Clapton (who you missed) explored the blues as he got older.

    I always interpreted it the other way around — that older rockers turned to “respectable” genres like blues because they were done experimenting with new sounds.

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